Sindhu Menon is a name well known among all four South Indian filmdom. She created a niche for herself in Kannada film industry despite of tough competition among young actresses. She entered Kannada filmdom as child actress though it was highly unexpected she says. Sindhu has 25 Kannada films in her credit. She is a Bharathnatyam dancer since from her childhood and during school days she used to participate in dance competitions. In one such competition where 25 other schools took part, she got the 1st prize. One of the judges there, noticed the inherent talent and introduced her to a Kannada film. Though her family base is in Kerala, Sindhu was born and brought up in Bangalore and she mingled with people here as a true Bangalorean. She acted in other South Indian languages including Tamil, Telugu and Malayalam. Film Huliya where she acted as a child actress received a lot of appreciation. She baged Tamilnadu and Telugu Academy award for Telugu film 'Trinetra'.
As a heroine, 'Khushi' directed by Prakash gave her satisfaction but Dhrama is her best she says. She played a Brahmin girl role there and she loved the boldness of that character. This film is due to release shortly. She has lots of plans in pipeline. Though she is a Bharathanatyam dancer, not been able to go for Rangapravesham due to her busy film schedule. But she certainly wants to make it one day and complete graduation too!
Sindhu who got name and fame in her very young age wants to go beyond silver screen. She intend to help people wants to learn but can't afford costly education. She likes kids and hence will be starting a play home during coming June. One more dream of hers is a film production. By the end of next year she aim to produce a female oriented film where she will be the lead. Sindhu is very choosy when it comes to selecting her roles. She rejected more than 30 Kannada films so far, as the story and scripts were not upto the mark. Right now two Malayalam films are in her hand. We wish this charming young talent goodluck in all her ventures and career.
Filmography
Thommanum Makkalum (2005) - Sheela
Vesham (2004) - Veni
Uthaman (2001) - Gauri
Sindhu Menon Hot video
Interview with Sindhu Menon
How and when did you commence your journey into glamour world?
I am a Malayali, but was brought up in Bangalore. Even as a school girl, I used to be studies-conscious. My entry into film industry is an accident when I faced the camera as a hyperactive child artiste in the film Rashmi. That time I was in UKG. Again it was in Kannada film – Prema Prema Prema – that I made my debut as heroine when I was 13 years old. I am lucky to get associated with famed Bharatiraja. I touched Tollywood through Srihari’s movie Bhadrachalam. You don’t believe that time I was just 15 years and in X class. So far I have done about 25 films combined in Malayalam, Kannada and Telugu. I am already into Kollywood, which details I can’t reveal now.
Your experience with VN Aditya’s Rainbow?
It’s amazing. I was enjoying the success of Krishnavamsi’s Chandamama. I was confident that it would get me good offers. At the right moment, I got a call from Hyderabad to join VN Aditya’s Rainbow team. He is the sort of a filmmaker whom I have never seen in anger. Rainbow is a sensitive and cute subject. It is also poetic. The entire team cooperated with me; let it be in expressions, dances and what not. I loved the music of the film. Like a rainbow, the tunes are pleasing. They prompt us to listen to them again and again.
What do you say about VN Aditya’s work style?
VN Aditya is a good human being and makes things very comfortable for one and all on the sets. He doesn’t involve into anything other than his work. Patience seems to be his forte. He is very sensitive too. Generally, directors lose their cool when an artiste eats the film with repeated takes. Many times, I took several takes for some scenes. But, there is not a trace of irritation on Aditya’s face.
What is your portrayal in the film?
My role will be a big surprise to the audiences. It is handled so carefully. The director gave me absolute freedom to exhibit feelings natural to that characterization. He placed two roles before me, asked me to choose the best out of it. I chose this one, which will never be deciphered from the audience mind. I inspire, I demand sympathy, I love and love to be loved. You can see all the seven colors of the rainbow in my role.
During your seven-year stint with Tollywood, you were seen mostly in the roles of village lass. Why such a singular taste?
It’s not my taste. The characters so demanded. Of one thing, I am sure. The audience will not care to differentiate between modernity and rusticity, if they feel amply entertained. There is a big gap in my career here, only to get resurrected with Chandamama. I love stay in Telugu field, because you have a lot of opportunities here. It’s scope so large just as Bollywood.
I prefer to give importance to roles which would make me enduring in the hearts of the audiences. I don’t like to do characters, which they audience see and forget. Irrespective of my shortcomings in all my films, the Telugu people remember me very well. From Badrachalam to Chandamama. Take my role in Rainbow. I executed the same – 100 percent from the point of view of the audiences, holding back nothing for me. My role in Chandamama is a big hit.
Thirdly, I never concentrated much on film industry. I still shuttle myself between studies and entertainment. I never really considered acting as a full-fledged profession. It’s only now that I am taking it seriously.
You were supposed to be the heroine in RP Patnaik’s Andamaina Manasulo. What happened later?
It’s just like that. The script work got extended and I too was busy with my exams. So I was off the project.
Producers and directors these days are so possessed with the heroine-factor. They mostly prefer fresh faces and heroines with market value. Don’t you think you are at the receiving end?
I don’t give importance to this point. I am not here to compete with anybody. I sincerely want to do justice to my assignments. I have my own unique strengths. I am super active, bubbly, always ready to put in extra efforts, and extremely expressive.
I am always fresh, on and off the screen. Had I not been that way, I wouldn’t have got a chance in Chandamama. I attended the screen-test for Chandamama just as a new girl. I didn’t even know that I was doing it for Krishnavamsi. I just knew there are two Vamsis. Moreover, I am not too much exposed to the vistas of Tollywood. The audience is yet to see me in my fullest vigor.
Exposing is always a big subject for Tollywood heroines. How do you react?
I don’t really feel like reacting. It is a meaningless obsession. So far, I never did any vulgar expose. First of all, one should have a clear mind as to what is exposing? If it means mere skin show in the name of glamour, certainly, I can’t do it.
You moved about in all South Indian films. Which industry do you feel is highly paid?
It’s surely Telugu film industry. I might say, here its better than Bollywood. Also, it’s not the mere remuneration. Artistes here are happier with their profession. There is no stagnation for any artiste in Telugu film industry.
How important is money to you?
I am not in the habit of saving money. I spend a lot on jewelry, cosmetics, cartoons, travel and all. Of course, I also got a flat in Bangalore. I bought an Elantra car to my mom last year..
Did you ever fall in love?
Yes. I am madly in love with my profession.
What about your areas of interest other than acting?
I like Bharata Natyam and I am also a very good dancer. I also like ballet and jazz.
How you respond to gossips?
I don’t respond at all. I don’t talk against anyone. And I believe none will speak malice against me.
What you believe are your major strengths?
I think positive. I too have a fan following, though not much big. I like responding to them via e-mails. Family audiences like me very much. Wherever I go, people recognize me, interact with me and cheer me up.
Which were the movies inspired you most?
All good films inspire me. I also love black and white films. To be particular, films of Kamal Hassan and Meenakshi Seshadri.
Which color you belong to in Rainbow?
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